Archive for January, 2010

Paris of the Pacific

Posted in Lifestyle Infos, Travel Parlor on January 11th, 2010

If you’re looking for a romantic getaway or for a little fun in the sun, then you need to visit New Caledonia. Here, you can be certain to fill your days with activities or by lounging on the beach. This is the perfect island holiday for individuals of all ages and backgrounds. If you want a French holiday to remember, it is worth investing in a trip to picturesque New Caledonia. The following are just some of the many things you can experience in this perfect island getaway.

If you are planning an island holiday to New Caledonia, making time for the many water-based activities in the area is a must. The water here is sheltered and seemingly untouched. Here, you can do everything from take a trip to the Isle of Pines for some relaxing kayaking and canoeing, or you can take advantage of the prime yachting accessible here. Name the water sport and you will be able to try it here in New Caledonia: everything from windsurfing to jet skiing is more than possible here.

If you are keen of exploring the under water world, you should definitely take advantage of the various diving holiday activities in New Caledonia. Whether you are a beginner or an expert, you will be astonished by the gorgeous underwater life. Additionally, you can try snorkeling so that you can discover some of the rich coral reefs in the area.

There are a lot more activities away from the water, there is much culture to experience in New Caledonia. Head to Noumea, the island capital, if you want to partake in some fine dining or want to experience the designer stores of what many call the “Paris of the Pacific.” For folks who always wanted to experience the French culture from Australia, this is a close way to do it. Walk into any store or restaurant in the New Caledonia, and it will feel as if you have traveled to France. This way, you can attain a French holiday without having to travel as far.

Star Trek: Voyager (DVD) Review

Posted in Movie Hall on January 11th, 2010

Nominated for 30 Emmys, including seven for Outstanding Special Visual Effects for a Series, Star Trek: Voyager continues the rich tradition of the original 1960s Star Trek franchise. Created by former L.A. police officer Gene Roddenberry, the Star Trek TV series morphed into a franchise famous for the unprecedented fanatical devotion of its fan base. Lasting only three seasons during its original network run, Star Trek struck gold with its syndicated reruns, launching a number of motion pictures featuring the original cast as well as novels, comic books, collectibles, and reams of Star Trek-related memorabilia. The third spin-off from the original Star Trek series, Star Trek: Voyager premiered in January 1995 to modest critical acclaim, but experienced great success with television viewers, slowly increasing its ratings as the series progressed. Following on the heels of Star Trek: The Next Generation (1987) and Star Trek: Deep Space Nine (1993), the series precedes Star Trek: Enterprise (2001) while boasting an all-star cast that includes veteran actress Kate Mulgrew (whose past TV appearances include such shows as Dallas, Cheers, and Murphy Brown). Yet instead of pursuing the classic Star Trek mission to “boldly go where no one has gone before,” Star Trek: Voyager is more about going where the crew has been before…

Star Trek: Voyager follows the exploits of the crew aboard the starship USS Voyager. As the series begins, the Voyager is on a Federation mission to capture a rogue ship of Maquis rebels (a race first introduced in Star Trek: Deep Space Nine). While in pursuit of the Maquis, the Voyager enters a system known as the badlands, and both ships are instantaneously transported to the Delta Quadrant over seventy-thousand light years away on the outskirts of the galaxy. Soon, both the Maquis and the crew of Voyager learn they were brought to Delta Quadrant by the Caretaker, a mysterious force overseeing the safety of the Ocampan race who live in the shadow on an impending threat from the vicious Kazon. When the Kazon destroy the Maquis ship, the Voyager crew merges with the Maquis crew to defend themselves from the Kazon. Having destroyed the device which could bring them home, the crew of the Voyager - led by Capt. Kathryn Janeway (Kate Mulgrew), and the crew of the Maquis ship - led by Commander Chakotay (Robert Beltran), must work as a united front in order to meet their mutual goal of finding a way home…

The Star Trek: Voyager DVD features a number of exciting episodes including the series premiere “Caretaker” in which the Federation starship USS Voyager, led by Capt. Kathryn Janeway, is unexpectedly transported 70,000 light years away while pursuing a band of Maquis rebels through an area known as the badlands. The Voyager’s new destination is the Delta Quadrant, an uncharted region of the galaxy overseen by the Caretaker and threatened by the colonial aggression of the Kazon… Other notable episodes from Season 1 include “The Cloud” in which the Voyager accidentally injures an alien life form while searching for an ingredient to boost its energy supply, and “Learning Curve” in which members of Commander Chakotay’s ragtag Maquis crew are given a Starfleet Academy tutorial on how to act properly aboard the Voyager…

Below is a list of episodes included on the Star Trek: Voyager (Season 1) DVD:

Episode 1 (Caretaker: Part 1) Air Date: 01-15-1995
Episode 2 (Caretaker: Part 2) Air Date: 01-15-1995
Episode 3 (Parallax) Air Date: 01-23-1995
Episode 4 (Time and Again) Air Date: 01-30-1995
Episode 5 (Phage) Air Date: 02-03-1995
Episode 6 (The Cloud) Air Date: 02-10-1995
Episode 7 (Eye of the Needle) Air Date: 02-17-1995
Episode 8 (Ex Post Facto) Air Date: 02-24-1995
Episode 9 (Emanations) Air Date: 03-13-1995
Episode 10 (Prime Factors) Air Date: 03-20-1995
Episode 11 (State of Flux) Air Date: 04-10-1995
Episode 12 (Heroes and Demons) Air Date: 04-24-1995
Episode 13 (Cathexis) Air Date: 05-01-1995
Episode 14 (Faces) Air Date: 05-08-1995
Episode 15 (Jetrel) Air Date: 05-15-1995
Episode 16 (Learning Curve) Air Date: 05-22-1995

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Star Trek: Voyager (DVD).

Modal Theory for Guitar Players - Part 1

Posted in Uncategorized on January 10th, 2010

Introduction

The fact that you are holding this in your hands suggests that you have got to the point in your explorations of, and curiosity about the guitar that the next step is the modes. Maybe it’s because you have read somewhere that Steve Vai loves the Lydian mode, or you have listened to music by Frank Gambale and wondered what he was up to. Whatever the reason, the material you have here should set you on the road to opening up new ways to express yourself, to get different sounds into your melodies and harmonies.

First off you need to know that this material alone will not have you ripping exotic solos up and down the fret board, smoke and fire on your fingertips. It will take the same process and work that has brought you your level of chops with the pentatonic, major and minor scales, arpeggios and your own licks. What it will do is give you the information you need, and the backing tracks so that you can practice and familiarise yourself with the patterns of the modes, and get used to the sounds.

Ultimately it’s down to the time you put in and your motivation to go beyond what you find within these pages. But if you’re serious about learning the modes, you knew that already. Anyone promising you a quick fix, whether conscious or subconscious, is at the very least pulling your leg.

The second thing you need to know is that a certain facility and knowledge is assumed. If you find yourself flailing in a sea of non-comprehension it is hopefully only because you’re not ready to move on to this stage of learning, and you need to tuck this back under the bed and give yourself a little more time with the basics. You could ignore the theory section altogether. It’s up to you what you want to do with this now it’s yours, but hopefully, if you do ignore it now, perhaps you will come back to it and then it should make some sense and help you with other aspects of using the modes.

Let’s start with the good news. There are 7 modes built on the major scale and you already know two of them. The major scale is a mode itself, called the Ionian, and the minor scale is another mode, called the Aeolian. So, more than a quarter of the work is done. If you thought that getting to grips with those two scales wasn’t too complicated, then you should get on fine with the other material here. If you are in a state of experience where playing the major and minor scales in 5 positions on the guitar neck, in any key, is not something that you are familiar or comfortable with, back this goes under the bed. Although both of these modes will be covered you really should be worrying about the basics at this point. Any half way decent book about playing the guitar, or song writing, should provide you with the information to get these two modes under your fingers. For the rest of you, let’s go.

The Modes

Before we get to anything even remotely like playing a scale, we need to have a think about the theory to understand where these modes come from. It is not essential to understand this to learn the modes, you could just learn the patterns, but, knowing some of the theory should help you to know when the modes could be employed, why they sound different etc. There are seven modes, named Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. The reason why there are seven modes is because each mode is built on a different tone of the major scale and there are 7 different tones in the major scale. If we take the scale of C Major as an example, so we don’t have to worry about sharps and flats, this should be clearer.

As you are probably aware, the C Major scale consists of the following tones:

C D E F G A B C

If we think of the major scale as a mode, then what we are saying is that if we start on the tone C, and then play all seven tones of the C Major scale, we are playing C Ionian. The same is true for any other major scale. If you start on the tone B and play all 7 tones which make up the B Major scale, you have played B Ionian.

Another way to think of this is to consider the way in which this scale is constructed. All major scales are constructed with the same distance between pairs of tones. Again, considering the C Major scale, the distances between the pairs of notes is:

Note Pair…….Tone distance…………Fret distance

C to D……….a whole tone (T)………..i.e., 2 frets)

D to E……….a whole tone (T)……….(i.e., 2 frets)

E to F……….a semi-tone (S)………..(i.e., 1 fret)

F to G……….a whole tone (T)……….(i.e., 2 frets)

G to A……….a whole tone (T)……….(i.e., 2 frets)

A to B……….a whole tone (T)……….(i.e., 2 frets)

B to C……….a semi-tone (S)………..(i.e., 1 fret)

So, we could say that the structure of any major scale, or Ionian mode, is

T T S T T T S

We can check this. You should check this on your guitar neck to convince yourself that it is true, but here we’ll do it on paper. Let’s say we want to construct the G Major scale.

Knowing that all major scales are constructed using the formula T T S T T T S, and starting on G we would get the following:

G up a whole tone to A

A up a whole tone to B

B up a semi-tone to C

C up a whole tone to D

D up a whole tone to E

E up a whole tone to F#

F# up a semi-tone to G

Producing the scale

G A B C D E F#

Do this with other major scales just to check that there’s no trickery here. If you didn’t know that the G Major scale has an F# in it, back under the bed this goes and find a theory book!

Ok, so we can think of the Ionian (from now on the Major scale will always be referred to as the Ionian, as we are thinking in modes here) as having a particular structure. The next theoretical step we’ll take is to build the other modes on the notes of the Ionian, and then look at their structures in exactly the same way. Taking C Ionian again, and only using the tones of this mode, consider the following.

If we take all the notes from C Ionian, and only those notes, and we start on C

C D E F G A B

We are playing C Ionian.

Now we’ll look at the other modes, remembering that as we are building them on the tones from C Ionian, these are the only tones we can use, i.e., C, D, E, F, G, A, and B.

If we take all the notes from C Ionian, and only those notes, and we start on D,

D E F G A B C D

We are playing D Dorian.

If we take all the notes from C Ionian, and only those notes, and we start on E,

E F G A B C D E

We are playing E Phrygian.

If we take all the notes from C Ionian, and only those notes, and we start on F,

F G A B C D E F

We are playing F Lydian.

If we take all the notes from C Ionian, and only those notes, and we start on G,

G A B C D E F G

We are playing G Mixolydian.

If we take all the notes from C Ionian, and only those notes, and we start on A,

A B C D E F G A

We are playing A Aeolian, also known as the
minor scale, which you know.

If we take all the notes from C Ionian, and only those notes, and we start on B,

B C D E F G A B

We are playing B Locrian.

If you know your Ionian modes, then you will have instantly seen that the scales we are producing in this way are not the same as the Ionian modes you know. For example, the G Mixolydian we have built does not have an F#, which the G Ionian does and the F Lydian we have built does not have a Bb in it, which the F Ionian does.

Noticing these differences means you have noticed one of the key aspects of the modes. The reason why, for example G Mixolydian does not sound like G Ionian is because the relationship between the notes has changed, the pattern of tones and semi-tones between the notes has changed and as such the tones in the scale are different. These changes in the relationships are what give the modes their characteristic sounds and determine why they can be used in some instances, and not in others. But more of that later.

You could now start comparing some of your modes. For example, you could play a D Ionian, and then play D Dorian and compare the sounds. You’ll probably hear that your Dorian sounds slightly more ‘minor’. Part of the work you need to find time to do is to start to hear these differences, but when we get to the playing part of this package you’ll be doing that anyway, so just hold on one moment. The next thing we will do is look at the structures of each of the modes, again using as our base example C Ionian. Below you will find each of the 7 modes built on C, starting with C Ionian, the others built on the tones which make up the C Ionian mode (C, D, E, F, G, A, B).

Starting Tone…..Mode Name…..Mode Notes…Mode Structure

C,…………………C Ionian……..CDEFGABC……T T S T T T S

D,…………………D Dorian……..DEFGABCD……T S T T T S T

E,…………………E Phrygian……EFGABCDE……S T T T S T T

F,…………………F Lydian……..FGABCDEF……T T T S T T S

G,…………………G Mixolydian….GABCDEFG……T T S T T S T

A,…………………A Aeolian…….ABCDEFGA……T S T T S T T

B,…………………B Locrian…….BCDEFGAB……S T T S T T T

As you can probably see, each of the modes has its own, unique structure of tone and semi-tones between notes in the scale. What this means is that if you learn, for example, that the Locrian mode is constructed by spacing notes according to the formula of S T T S T T T, you can play the the Locrian mode in any key by choosing your start note, and then building the scale according to this formula.

One final way we can think of the modes shows very clearly how each mode differs from its own Ionian mode. Again, taking as our basis the C Ionian, we will number each of the notes in the C Ionian scale, as below.

C D E F G A B

1 2 3 4 5 6 7

Now, we will look at the modes based on C Ionian, and show how each mode differs.

D Dorian

D…E…F…G…A…B…C

1…2…b3..4…5…6…b7

This merely means that D Dorian differs from D Ionian by the third degree of the scale and the seventh degree of the scale being flattened. So, whereas in D Ionian the scale has an F# and a C#, D Dorian has an F and a C. We’ll look at the other modes in the same manner.

E Phrygian

E…F…G…A…B…C…D

1…b2..b3..4…5…b6..b7

F Lydian

F…G…A…B…C…D…E

1…2…#3..4…5…6…7

G Mixolydian

G…A…B…C…D…E…F

1…2…3…4…5…6…b7

A Aeolian

A…B…C…D…E…F…G

1…2…b3..4…5…b6..b7

B Locrian

B…C…D…E…F…G…A

1…b2..b3..4…b5..b6..b7

What the previous list demonstrated is how each of these modes differs from the Ionian mode starting on the same root node. So, for example, A Aeolian differs from A Ionian by the third, sixth, and seventh degree of the Ionian mode being flattened. Once again, you could learn how the individual modes differ from their Ionian modes and alter the way you play the Ionian to take account of this.

By now you have probably got a bit of an ache in your head from all this theory. It’s not crucial at this stage that you have got all of this committed to memory and have it all worked out. Give it a little time, and when you have had a chance to get a bit of modal playing done, you can pick the ones that you like, or that fit your style, and then just get your head around those ones.

This is end of the main theoretical section. Bits will creep in, or will seem to creep in when we look at chords for each of the modes, but really, as long as you have a basic understanding of music it shouldn’t be any more troublesome than what you’ve been through already. I hope.

Feedback welcome.

Guitarist and therapist: http://members.lycos.co.uk/newtballon/, http://www.hypnotherapies.co.uk, though not necessarily in that order, and not exclusively either.

Do You Need a Spanish Pronunciation Dictionary?

Posted in University of Language on January 10th, 2010

With all the dictionaries available these days, it can sometimes be confusing as to which ones you need and which ones you can do without. One type of dictionary that is available for you is a Spanish pronunciation dictionary. These dictionaries are focused on providing you with the correct way to pronounce the words in the language.

While some dictionaries focus exclusively on providing correct pronunciation, other Spanish dictionaries provide the pronunciation as just another feature.

So the question is whether or not you need a dictionary or textbook exclusively devoted to Spanish pronunciation. I think that most people don’t need a Spanish pronunciation dictionary and there a couple of reasons why I think this is the case.

First of all, most Spanish dictionaries already come with pronunciation help and so there is no need to have a Spanish pronunciation dictionary or book focused specifically on that.

Second of all, Spanish pronunciation is not as difficult as the pronunciation of other languages, especially if English is your native language. By learning a few rules, you can understand most of what you need to know about Spanish pronunciation.

If you feel like the pronunciation help in a regular dictionary isn’t enough you can always buy a Spanish pronunciation book that gives you more examples and more in-depth analysis of Spanish pronunciation.

One of the best books that goes into a deeper linguistic analysis of Spanish pronunciation and other linguistic features of Spanish is Spanish/English Contrasts. The book was written by Melvin Stanley Whitley and discusses various linguistic phenomenon of the Spanish language, and will help you get a deeper understanding of them, such as pronunciation.

I used the book in college and it definitely goes into specifics about Spanish sounds. It is an excellent book if that is what you are looking for. The book isn’t a dictionary, though, so make sure you’re aware of that.

Another option you might want to consider is finding a native Spanish speaker and practice speaking with them. Just speaking with a native and listening to how they speak and trying to mimic their speech will help you improve yours.

Whatever you decide, make sure that you get what you want. Don’t bother getting a Spanish pronunciation dictionary or textbook that focuses specifically on pronunciation if a pronunciation guide in a dictionary you have will be enough.

Clint Tustison is a Spanish <--> English translator interested in helping businesses and translators better understand the translation industry. If you’re interested in how to improve your translation business or your relationship with translation companies, check out his website at http://www.spanish-translation-help.com

VOIP Disadvantages

Posted in Online Telecommunication Resources on January 10th, 2010

Voice over internet protocol (VOIP) is changing the way that the average consumer makes long distance phone calls. The technology is rapidly advancing because companies all over the world are now competing to be your VOIP provider. However, there are still some disadvantages of VOIP - especially when it comes to using the technology for functions beyond the one caller to one caller scenario.

The disadvantages of VOIP can be annoying, but are relatively limited for the consumer. The main complaints regarding VOIP have to do with providing the level of quality of service that customers are accustomed to with regular telephone technology. The reason for this is multifold. VOIP requires a large amount of data to be compressed and transmitted, then uncompressed and delivered, all in a relatively small amount of time. Problems develop in VOIP conversations when this process takes too long and the callers experience one of two problems; echo or over-talk.

Standard phone calls function with a delay of no more than 10 milliseconds. But one major disadvantage of VOIP is that there have been delays of up to 400 milliseconds, meaning that the callers won’t hear each other fast enough to make the conversation flow easily. They will either hear themselves talking or they will start talking again before they have heard the other person respond. Although these problems won’t necessarily happen every time a call is made, it can happen often enough to be annoying.

The disadvantages of VOIP are usually tolerable if the callers are using a free service and the calls are for individual, personal communication. But once a network of users, such as a business, wants to use VOIP, the problems become a little more complicated. Part of the reason is that most networks have a firewall; and most firewalls don’t know how to route a VOIP call once it is received - which phone does it go to?

Plus, multiple users create a problem when judging what amount of bandwidth can be and should be used at any time. If multiple users need to make VOIP calls, it can be difficult for the company to know exactly how much bandwidth to provide - especially if internet access, video conferencing or other data transmission services are using the same path.

Overall, the disadvantages of VOIP aren’t significant enough to dissuade the average consumer from using the technology; especially with the fact that they know that the calls they are making are free. But we can rest assured that the technology will only get more reliable as time goes by.

Article written by Van Theodorou, President of WorldNet Solutions, Inc. They help you find the lowest business long distance rates and in essence become your telecom department at no cost to you.

Laser Spine Surgery a Primer

Posted in Health Issues, Medical Hall on January 10th, 2010

Back pain may encroach on your life severely and getting a treatment that works for you is crucial in preserving your day-to-day life. When a doctor can not identify the specific vertebrae which are causing the pain, conventional back surgery isn’t an choice. Additionally, you might not be suitable because of the many side-effects, tissue damage, and extended recovery involved with the operation. This is the point where a laser back surgery comes in. As luck would have it, it has a variety of advantages compared with traditional procedures.

The complicated structure of the vertebrae means it is tricky to identify specifically what is the root of the pain or other unpleasant symptoms. The risks often linked with conventional surgical techniques mean it is unsuitable for use to get a diagnosis. This simply doesn’t happen with laser back surgical techniques as it is considerably less damaging to the body, this makes it great for both diagnostic and therapeutic procedures. Due to its fewer number of associated risks, some individuals who don’t meet the criteria for traditional methods can now alleviate their back pain and other symptoms by choosing laser back surgery. A variety of other distressing symptoms connected with the spine, such as lumbago or numbness of the limbs or feet can also be eased by microinvasive laser surgical methods. Laser spinal surgery will additionally ease other issues such as numbness and restricted mobility.

Irreversible damage to tissue near the vertebrae due to accidental damage may often result in intractable back issues. Established back surgical procedures can be inappropriate due to the fact that multiple surgical incisions can actually result in more scarification than there was initially. Laser spinal surgical procedures simply require a tiny incision, consequently they’re a brilliant choice for reducing damaged tissue.

Regrettably traditional procedures involves damaging a good deal of the surrounding sensitive tissue. Naturally, this is not the case with laser spine surgical procedures. The physician has the ability to choose from numerous techniques via a tiny surgical incision. Individuals undergoing this sort of surgical operation will get out of hospital much more quickly and will need less physical therapy as much less tissue is affected. Clinicial research has proved that in comparison to regular back operations, laser spinal operations have an increased chance of a succesful outcome and are thus suitable for a lot more patients.

Make sure you check out our #1 source for laser spine surgery clues.

Happily, it is very uncommon to find a patient experiencing the sort of problems linked with spinal surgery in the past. And so, for those experiencing back discomfort or other distressing symptoms originating from back problems, laser spine surgery can provide an effective answer.

Choosing a Driving Instructor: Some Important Points

Posted in Insurance Center, Tips on January 10th, 2010

Before you get behind the wheel, it is imperative that you hire a driving instructor to help you become an excellent driver. It is important you get the best advice and are as well prepared as possible before you hit the open road.Endeavour to find a good, professional instructor. Finding the right driving instructor is crucial for your learning. In the UK any instructor should be registered with the Driving Standards Agency. The instructors that are not registered with the Driving Standards Agency, can not charge you for their services. These DSA registered instructors are usually referred to as ADI’s (Approved Driving Instructors).

A professional will teach you and ends and outs of driving. How to parallel park correctly, drive in traffic, how to properly make a stop, how to use your indicators, how to drive on the highways, and much more. Recent driving surveys indicates that a student driver that was taught how to drive with an Approved Driving Instructor pass their driving test the first time, unlike those who have not practice with an Approved Driving Instructor. An Approved Driving Instructor will have a green certificate on the car windscreen. A pink certificate indicates a trainee ADI. The (DSA) Driving Standards Agency will check to make sure the instructor is highly qualified before approving him or her. The trainee must posses a clean four year driving record, pass a rigorous driving test, and much more to prove that they are capable of training you to become a motorist.

A good qualified instructor should help you pass the test with ease. You will then be ready to hit the open road. However you must make sure you are properly insured and this can be costly. Pay as you drive is often good place to look for cheap car insurance for young drivers. By only charging you for the miles you drive and charging you a higher rate for the most hazardous periods, pay as you drive insurance id a very cost effective solution for young drivers.

Whatever Your Age You Should Always Have a Desire to Learn That’s Why Singing Lessons for Children Are so Popular as Gifts

Posted in Uncategorized on January 6th, 2010

Often, we wish we knew how to sing properly, especially when inspired by someone who can sing well. We therefore ask ourselves can I learn to sing? The desire to sing well is present in many of us, but we tend to suppress it thinking that we do not have the potential to sing well. However, there is hope for every one. Nobody ever really stops the desire to learn and singing lessons for children are popular gifts for parents.

With the rise of talent shows like American Idol, more and more wannabe pop-stars are starting to wonder can I learn to sing. No matter your current ability, it is possible to help you achieve, a professional singing voice and to possibly become the next American Idol.

The idea that only certain people have the ability to sing well is complete nonsense. Many people have this notion that being able to sing well is something that someone is just “born with” but that is not really true. Some of the most famous singers in the world have practiced their voice, in one way or another, to get to where they are.

Even some of the most famous singers in the world have had to practice, their voices needing some improvements in one way or another, to get to where they are at the top. And many of the noted singers have had to take singing lessons at some point in their careers. Online singing lessons are the next best thing to a vocal coach. Why? Because in an online setting you will come to know that the answer to the question, can I learn to sing is yes, and you can learn how to sing at your own pace.

Online singing programs are some of the best and the easiest systems available to learn how to sing at a professional level. One or more of them come jam-packed with quality information, interactive audio lessons, e-books, and are just fun learning software to own and to use.

These online singing programs are unique singing courses that have been developed for singers of all abilities. The programs cover every aspect of singing and can help you make major improvements in your singing and performances in a very short time. The programs also contains lots of help and tips on; how to perform, how to hold the microphone and numerous other practical singing tips. Can I learn to sing? Bottom line, yes! Because online singing programs WORK! Based on proven techniques you can learn so much, whether you are a beginner, intermediate or advanced level singer.

A Fundamental Guide To Purchasing Ovens

Posted in Miscellaneous on January 6th, 2010

An oven is an indispensable piece of equipment to every kitchen these days. There are a mixture of varied makes and styles of ovens to lay your hands on. On the other hand, having a great number of different options can easily make your time looking for a new oven a particularly difficult and perplexing assignment. One of the most important factors of your choice is that you should obtain a new oven that will both meet your requirements not counting your chosen budget. The cost of ovens can easily range from £200 all the way up to £1,000. Here are one or two handy recommendations you are advised to dwell on prior to splashing your cash on an oven.

The very first thing you ought to ponder over is if you fancy cooking with a gas oven, an electrical oven, or a duel fuel oven. In general, gas ovens get to temperature faster than electricity operated ovens. They also help keep food fresh while cooking owing to the damp heat that is given out. Electric ovens regularly cook much more consistently and quicker when put side to side with gas ovens, yet they do take a great deal longer to pre heat. You will be able to cook loads of diverse kinds of meals all at once in an electricity operated oven as they are more likely to be hotter at the top and cooler at the bottom. A duel fuel oven is an electric oven that has a gas hob. This style of oven will give you a much more rapid cooking time than that of an electricity powered oven.

Another thing to consider is the exact type of oven you will require for your own bungalow. One type you can obtain is a conventional oven. The temperature will fluctuate right the way through a conventional oven because they are either heated-up from the top or heated-up from the bottom. The bottom will be colder than the top and the midpoint will be at a suitable temperature. These particular kinds of ovens are best for making Christmas roast; whereas a fan oven will cook dinners more evenly. Multi purpose ovens are a blend of fan ovens and conventional ovens and are therefore the best for cooking a wide selection of dishes. Lastly, steam ovens are fantastic for healthy cooking because you do not have to use any oil or fat. What’s more, you also can’t burn food in a steam oven.

The actual size is yet another factor that needs to be looked at when trying to seek out the best oven. Single ovens are the most purchased and come in several different looks and colours along with quite a lot of cooking options. Double ovens are twice the size of the single ovens. If you entertain on a regular basis or have a big family then this oven should be right for you, whereas small ovens are best for those who have restricted available space.

Features that you are recommended to look for in an oven include; self-cleaning and electronic controls. An oven that contains electronic controls is terrific for cooking foods that need a specific temperature. Find a diverse selection of electrical products such as; ovens, microwave ovens and electric ovens from leading brands online.

Amazing Trek Across TIbet!

Posted in House Of Recreation on January 6th, 2010

Today Bookpleasures and Sketchandtravel are pleased to have as our guest, Brandon Wilson, author of Yak Butter Blues.

In 1992, Brandon and his wife Cheryl travelled 40 days from early October to the end of November in 1992 over 1000 kilometers travelling along the ancient pilgrimage route across Tibet. Evidently, they were one of the first Western couples to trek this ancient route alongside, by the way, a horse they named Sadhu.

Good day Brandon and thank you for accepting our invitation to be interviewed.

Norm: Brandon, could you tell our readers something about yourself and your wife Cheryl, and why did you want to trek across Tibet and did you ever had any fears prior to your journey?

Brandon: Tashi delek, Norm! We had been travelling for years as budget travelers, traveling light, with only a backpack to sustain us for months on end. In the process, we’d made our requisite trip around the world for a year and had seen many of civilization’s greatest achievements. We’d also traveled overland across Africa for nine months (which is the subject of my book to be released in 2005, Dead Men Don’t Leave Tips.) So, we were ready for a more intense experience something more in line with that of the great explorers.

Our decision to attempt to trek from Lhasa, Tibet to Kathmandu, Nepal sprung from the notion that this was the ultimate adventure. Everyone grew up with the legend of a Shangri-La, that fanciful place from James Hilton’s Lost Horizon. The more that I read about Tibet, the more I was fascinated by its remoteness, inaccessibility, and its exotic reputation.

Then, as luck would have it, we were told several times that this trek had never been done by a Western couple and that it was “impossible!” That ultimately sealed our fate.

As far as “fears” prior to the journey, first, I had real concerns that we wouldn’t be allowed into Tibet as independent travelers, since the border had been closed to them for many years. A Chinese organized group tour was simply out of the question for us.

Then, although we were assured the trip was “impossible” due to lack of food, water, accommodations, and maps, personally I was more worried about the weather. Knowing the severity of weather conditions in the Himalayas, would we be able to reach the lower altitudes of Nepal in time before the roads closed, stranding us until May’s thaw?

Finally, I must admit that I was also wary about the reaction of Uzi-toting Chinese soldiers along the way, as well as the various cadres of bureaucrats unused to dealing with outsiders. Guess I’d prefer to deal with nature any day, rather than the vagaries of human nature.

Norm: What were the most harrowing experiences you encountered during your journey?

Brandon: It’s a toss-up. This entire journey was chock-full of uncertainty. The spectre of running out of food and water was a daily concern. Where would we stay? Would our bodies be able to physically able to make 1000 kilometers at 12-17,000 foot altitude for 40 days?

But I’d have to say that the most singularly harrowing experience we had was being shot at by Chinese soldiers as we overlooked Mt. Everest from a hilltop in Tingri. What do you do?

As second runner-up, I’d nominate that morning where we awoke to a blinding blizzard and realized that we still needed to press on.

Norm: What impressed you most of all about the trip?

Brandon: First, we were impressed by the unexpected generosity of the Tibetan people. Originally we packed a tent, stove and fuel for the trek, expecting to be totally on our own along the way. However, after our first night spent camping in a potato patch, we were taken-in by local villagers who shared their meager possessions, including yak butter tea and a warm spot around their fire. We really grew to look forward to these human exchanges, even though we had to rely on clumsy sign-language and a limited phrasebook to communicate. Fortunately, we started to run into former monks who’d received training in Nepal and still spoke limited English.

Through talking to them, we became better informed about the hardships of living in Tibet today under the Chinese Communist occupation. We learned that Tibetans are prevented from making pilgrimages along the same route that we trekked into Nepal, as they’ve done for centuries.

So the trip for us became more than just an “adventure” trek. It became a political statement. If we could make their trek as pilgrims, we’d show to the Chinese that it could be done, even by Westerners, without disrupting the geo-political balance of power.

In fact, on the trek’s conclusion, we presented a set of prayer flags to the king of Nepal’s personal representative at the palace with the hope that the king would fly them as a symbol of solidarity with the Tibetan Buddhists.

Finally, we were impressed by the unwavering faith shown by many of the Tibetans. At night, in the dark stillness of their homes, we shared photos of His Holiness the Dalai Lama with them that we had secreted into the country. Gingerly holding the photo, they touched it to the foreheads of the members of their family, blessing them. Then drawing back several layers of curtains, they reverently placed it in their private altar beside other statues and holy instruments.

After over 40 years of oppression and death, could we still be so patient or retain so much faith?

Norm: If you had to do it all over again in 2004, would you still jump at the opportunity? As a follow up, would you advise anyone else to follow in your footsteps and what are the possible dangers they may encounter today?

Brandon: Frankly, no. This trek is a once-in-a-lifetime experience. From what I’ve read since then, and I receive Tibetan news every day now, the country has vastly changed especially Lhasa. As inundated as it was then with Chinese settlers, solders and foreign culture, it is even more so today. Now, they’re in the process of completing a railroad line into Lhasa from western China, so the transformation will be accelerating, the assimilation complete. The world saw the same effect in Inner Mongolia and Manchuria with the arrival of the railroad.

With that said, I’d love to return, perhaps to the more remote Mustang region this time, far removed from the propaganda tours. Of course this is assuming I would be granted a visa. Writing this book has certainly made that possibility more remote&

However, I would advise readers to explore any part of the world that interests them by walking. There is nothing so satisfying as discovering a culture one-step-at-a-time. This is a traditional way of exploration which creates total immersion in a culture: its food, history, art, architecture, people, language and nature. I like to think of it as a walking meditation, too. You place your body on “auto-pilot” and travel outside, while traveling within.

If readers are interested in this rewarding mode of travel, they can check out several options on my WEB SITE where I have free “how-to” articles about walking some of Europe’s most spectacular pilgrimage routes, along with web links for more information.

Walking across Tibet was the beginning of this, my latest passion.

Norm: How would you describe the relationship with your wife after the trip? Reading the book, I noticed there were some tense moments between you both during the adventure.

Brandon: I really admire Cheryl’s courage and willingness to take a chance. Traveling with daily hardship, uncertainty, and often life-threatening situations, will put any relationship to the test. Fortunately ours survived and this experience provided an even stronger foundation. If we could survive that, why, we could survive anything.

Norm: Did you keep a daily journal while you were travelling?

Brandon: Of course. It was sometimes hard to find the energy or time at the end of one of these 14-hours days to sit down and write. But I wanted this account of our journey to be real, raw, and authenticnot some romanticized notion of adventure travel. To capture that essence (while the blisters were still fresh) was vital. Time heals all wounds, as they say, and if you wait to write about it all later you lose much of the minutiae of the moment until it becomes merely a Disney version of your memorywithout the dancing hippos, of course.

Norm: After you returned home, did you write any magazine articles about your adventure or did you lecture anywhere about it?

Brandon: I wrote magazine and newspaper articles about the experience, and would have liked to lecture about the journey and situation in Tibet. Living in Hawaii, there’s always a logistical problem and cost of traveling outside the islands.

Now that the book is published, if there’s great enough interest throughout North America, I would welcome the chance to talk to groups about this life-changing experience and about the Tibet we grew to appreciate.

Norm: Why did you choose the title Yak Butter Blues for your book?

Brandon: Well, as a global citizen, I was so disturbed by seeing the destruction of this ancient culture; the dismantling of temples, the corruption of monastic life; the re-education of a population where the children are prevented from learning Tibetan in schools; the removal of Tibetan food and clothing from the stores, plus the mass settlement of Han Chinese into Tibet causing Tibetans to become a minority in their country.

It is reaching the point where yak butter tea, that nourishing food that has traditionally fed and sustained a people throughout the centuries will soon be all that remains of an enlightened culture, while all the world looks away. These are the “Yak Butter Blues.”

(Besides, I liked the kind of Kerouac-ian ring to it!)

Norm: Did you ever hear any news about your horse Sadhu you left behind?

Brandon: The Internet is an amazing tool. Although we wrote to his new owner, the fellow who ran the Kathmandu guesthouse, shortly after our return home, we never heard back from him. Just recently, I “Googled” the hostel and was able to reach his brother.

Sadly, Sadhu, our old friend, passed away a couple of years ago at a very ripe old age. He spent his last years in a luxury resort, but will always be remembered by us as the only Tibetan we could bring to freedom.

Norm: Have you kept in contact with anyone you may have met during your trip?

Brandon: Unfortunately not. We sent copies of some of the photos we took along the journey to families we’d met, as our way of thanking them. That’s all.

Norm: How long did it take you to write the book?

Brandon: The first draft of the book was written in a few months. After that, it was revised through several drafts. Then I added the most current news on Tibet I could find, sorted through photos, and incorporated some of the simple truths which were initially planted in the mountains of Tibet and blossomed along more recent pilgrimage treks.

Norm: How are you going to market the book?

Brandon: Ah, the ultimate question! I consider this, in many ways, an extention of the journey. Perhaps, in retrospect, it is just as difficult with over 100,000 books released each year.

We’re reaching out to supporters of a free Tibet, colleges and universities, libraries, adventure travelers, trekking and outdoor organizations, newspapers, international adventure magazines, Buddhist and dharma groups, Indians & Nepalese, and independent bookstores to help get the word out. Much of this has been started and we use the Internet a lot to let people know about our web site.

The national reviews so far have been excellent and I’m awaiting others from abroad. Yak Butter Blues is currently listed on Internet bookseller sites from Europe to North America to Japan and Australia/New Zealand.

I’m also writing and sending articles to related sites and creating links, especially to the vast, displaced Tibetan community, as it is their story as much as our own.

Since book promotion these days ultimately rests with the author, I’m participating in book signings and interviews to further develop interest. As I said, if I find there’s a great enough interest in presentations, I might be tempted to put together some sort of North American tour. Whatja think?

Finally, after all those small moments along the trail where we felt like we owed our survival to some mysterious force, we have learned to “have faith,” to trust that we were meant to have this journey and that I was meant to write this book.

I can only trust that once again we will be blessed and that our audience will find us along life’s trail.

Meanwhile, if readers would like a first-hand look at our journey, complete with a sample chapter, maps, photos, Tibetan music and Tibet/Trekking/Peace links, please drop into my WEB SITE. Then take a moment to sign our guest book, email me, tell your friends, or post a review at Amazon.com. Namaste!

Thanks Brandon and I wish you good luck in all of your future endeavours. _________________________________________________________________

EzineArticles Expert Author Norm Goldman

Norm Goldman is editor of bookpleasures.com and sketchandtravel.com.
Norm is also a regular contributor to many book reviewing sites and travel sites.

Norm and his artist wife, Lily are a unique couple in that they meld words with art focusing on romantic and wedding destinations.
You can learn more about them from their site http://www.sketchandtravel.com.

Norm and Lily are always open to receive invitations to write and paint about romantic destinations in the New England states, New York state and Florida.